Tuesday, October 9, 2007
Monday, October 8, 2007
Sunday, October 7, 2007
Friday, October 5, 2007
Funny "karikature"
I watch this video a 1000000000 times.....and i always said AWESOME!!!!!!!
do YOU think so????
Monday, October 1, 2007
Sunday, September 30, 2007
World's Oldest Man Hopes to Live Forever
The world's oldest man celebrated his 112th birthday Tuesday, saying he hoped to live forever. Born Sept. 18, 1895, Tomoji Tanabe was named world's oldest male after the death of Emiliano Mercado Del Toro of Puerto Rico. He died in January at age 115. On Tuesday, the mayor of Miyakonojo City, where Tanabe lives, presented him with a bouquet and a letter of congratulations.
When the mayor asked how many more years Tanabe wanted to live, Tanabe replied, ''for infinity,'' according to city official Yasuo Yamashita.
With his ascetic lifestyle, Tanabe has a good shot at living for at least a little longer.
A former city land surveyor who lives with his son and daughter-in-law, Tanabe is in good health and is known to guzzle milk. He also keeps a diary, avoids alcohol, and does not smoke.
Japan has one of the world's longest average life spans, a factor often attributed to a healthy diet rich in fish and rice.
The number of Japanese living beyond 100 has almost quadrupled in the past 10 years, with the once-exclusive centenarian club soon expected to surpass 28,000, the government announced in September.
The country's centenarian population is expected to reach nearly 1 million — the world's largest — by 2050, according to U.N. projections.
The increase underscores both positive and negative sides of the country's aging population. While experts say there are more active centenarians than before, the rapidly graying population adds to concerns over Japan's overburdened public pension system.
The world's oldest person, 114-year-old Edna Parker of Shelbyville, Ind., was born on April 20, 1893, according to Guinness World Records.
When the mayor asked how many more years Tanabe wanted to live, Tanabe replied, ''for infinity,'' according to city official Yasuo Yamashita.
With his ascetic lifestyle, Tanabe has a good shot at living for at least a little longer.
A former city land surveyor who lives with his son and daughter-in-law, Tanabe is in good health and is known to guzzle milk. He also keeps a diary, avoids alcohol, and does not smoke.
Japan has one of the world's longest average life spans, a factor often attributed to a healthy diet rich in fish and rice.
The number of Japanese living beyond 100 has almost quadrupled in the past 10 years, with the once-exclusive centenarian club soon expected to surpass 28,000, the government announced in September.
The country's centenarian population is expected to reach nearly 1 million — the world's largest — by 2050, according to U.N. projections.
The increase underscores both positive and negative sides of the country's aging population. While experts say there are more active centenarians than before, the rapidly graying population adds to concerns over Japan's overburdened public pension system.
The world's oldest person, 114-year-old Edna Parker of Shelbyville, Ind., was born on April 20, 1893, according to Guinness World Records.
Black Eyed Peas Hold Benefit Concert
Hip-hop group Black Eyed Peas put on a benefit concert in Mexico Friday night to raise money for local children who can't afford a decent education.
''It feels good to be able to help the youth because at one point in time we were teenagers that loved getting involved with the arts and there wasn't really that many programs in East L.A., where I'm from,'' Will.i.am, the band's front man, said at a news conference before the show at Mexico City's National Auditorium.
He added that his mother, a teacher at a California school with a large immigrant population, is proud of his charity work.
Proceeds from the concert will fund educational programs for some 1,500 children according to the group, which recorded such hit albums as ''Elephunk'' and ''Monkey Business.''
''Being in Mexico is special to all of us, being from Southern California,'' singer Fergie added. ''They call Will a ''blaxican'' because he grew up with all Mexican friends and family. Taboo, of course, being of Mexican heritage. My great-grandmother is from Guanajuato (Mexico), and (Apl.de.ap) just loves the Spanish women, the Mexican women.''
Band members said they hope to work with Latino artists such as Shakira, Mana, Joan Sebastian, Alejandro Fernandez, Molotov or Los Tigres del Norte in the future, but declined to discuss reported talks on a possible collaboration with the Mexican pop sensation RBD.
''It feels good to be able to help the youth because at one point in time we were teenagers that loved getting involved with the arts and there wasn't really that many programs in East L.A., where I'm from,'' Will.i.am, the band's front man, said at a news conference before the show at Mexico City's National Auditorium.
He added that his mother, a teacher at a California school with a large immigrant population, is proud of his charity work.
Proceeds from the concert will fund educational programs for some 1,500 children according to the group, which recorded such hit albums as ''Elephunk'' and ''Monkey Business.''
''Being in Mexico is special to all of us, being from Southern California,'' singer Fergie added. ''They call Will a ''blaxican'' because he grew up with all Mexican friends and family. Taboo, of course, being of Mexican heritage. My great-grandmother is from Guanajuato (Mexico), and (Apl.de.ap) just loves the Spanish women, the Mexican women.''
Band members said they hope to work with Latino artists such as Shakira, Mana, Joan Sebastian, Alejandro Fernandez, Molotov or Los Tigres del Norte in the future, but declined to discuss reported talks on a possible collaboration with the Mexican pop sensation RBD.
Friday, September 28, 2007
Learning to fail
Trial and error are usually the prime means of solving life’s problems. Yet many people are afraid to undertake the trial because they’re too afraid of experiencing the error. They make the mistake of believing that all error is wrong and harmful, when most of it is both helpful and necessary. Error provides the feedback that points the way to success. Only error pushes people to put together a new and better trial, leading through yet more errors and trials until they can ultimately find a viable and creative solution. To meet with an error is not to fail, but to take one more step on the path to final success. No errors means no successes either.
In fact, one of the greatest misfortunes you can meet early in a project is premature—yet inevitably still partial—success. When that happens, the temptation is to fix on what seemed to work so quickly and easily and look no further. Later, maybe, a competitor will come along and continue the exploration process that you aborted, pushing on to find a much better solution that will quickly push your partial one aside.
Cultures of perfection
Too many organizations today have cultures of perfection: a set of organizational beliefs that any failure is unacceptable. Only pure, untainted success will do. To retain your reputation as an achiever, you must reach every goal and never, ever make a mistake that you can’t hide or blame on someone else.
Imagine the stress and terror in an organization like that. The constant covering up of the smallest blemishes. The wild finger-pointing as everyone tries to shift the blame for the inevitable cock-ups and messes onto someone else. The rapid turnover as people rise high, then fall abruptly from grace. The lying, cheating, falsification of data, and hiding of problems—until they become crises that defy being hidden any longer.
Clinging to the past
If some people fail to reach a complete answer because of the lure of some early success, many more fail because of their ego-driven commitment to what worked in the past. You often see this with senior people, especially those who made their names by introducing some critical change years ago. They shy away from further innovation, afraid that this time they might fail, diminishing the luster they try to keep around their names from past triumph. Besides, they reason, the success of something new might even prove that those achievements they made in the past weren’t so great after all. Why take the risk when you can hang on to your reputation by doing nothing?
Such people are so deeply invested in their egos and the glories of their past that they prefer to set aside opportunities for future glory rather than risk even the possibility of failure.
Why high achievers fail
Every strength can become a weakness. Every talent contains an opposite that sometimes makes it into a handicap. Successful people like to win and achieve high standards. This can make them so terrified of failure it ruins their lives. When a positive trait, like achievement, becomes too strong in someone’s life, it’s on the way to becoming a major handicap.
Achievement is a powerful value for many successful people. They’ve built their lives on it. They achieve at everything they do: school, college, sports, the arts, hobbies, work. Each fresh achievement adds to the power of the value in their lives.
Gradually, failure becomes unthinkable. Maybe they’ve never failed yet in anything that they’ve done, so have no experience of rising above it. Failure becomes the supreme nightmare: a frightful horror they must avoid at any cost. The simplest way to do this is never to take a risk. Stick rigidly to what you know you can do. Protect your butt. Work the longest hours. Double and triple check everything. Be the most conscientious and conservative person in the universe.
And if constant hard work, diligence, brutal working schedules, and harrying subordinates won’t ward off the possibility of failing, use every other possible means to to keep it away. Falsify numbers, hide anything negative, conceal errors, avoid customer feedback, constantly shift the blame for errors onto anyone too weak to fight back. The problems with ethical standards in major US corporations has, I believe, more to do with fear of failure among long-term high achievers than any criminal intent. Many of those guys at Enron and Arthur Andersen were supreme high-fliers, basking in the flattery of the media. Failure was an impossible prospect, worth doing just about anything to avoid.
Why balance is essential
Beware of unbalanced values in your life. Beware when any one value—however benign in itself—becomes too powerful. Over-achievers destroy their own peace of mind and the lives of those who work for them. People too attached to “goodness” and morality become self-righteous bigots. Those whose values for building close relationships become unbalanced slide into smothering their friends and family with constant expressions of affection and demands for love in return.
Everyone likes to succeed. The problem comes when fear of failure is dominant. When you can no longer accept the inevitability of making mistakes, nor recognize the importance of trial and error in finding the best and most creative solution. The more creative you are, the more errors you are going to make. Get used to it. Deciding to avoid the errors will destroy your creativity too.
Balance counts more than you think. Some tartness must season the sweetest dish. A little selfishness is valuable even in the most caring person. And a little failure is essential to preserve everyone’s perspective on success.
We hear a lot about being positive. Maybe we also need to recognize that the negative parts of our lives and experience have just as important a role to play in finding success, in work and in life.
In fact, one of the greatest misfortunes you can meet early in a project is premature—yet inevitably still partial—success. When that happens, the temptation is to fix on what seemed to work so quickly and easily and look no further. Later, maybe, a competitor will come along and continue the exploration process that you aborted, pushing on to find a much better solution that will quickly push your partial one aside.
Cultures of perfection
Too many organizations today have cultures of perfection: a set of organizational beliefs that any failure is unacceptable. Only pure, untainted success will do. To retain your reputation as an achiever, you must reach every goal and never, ever make a mistake that you can’t hide or blame on someone else.
Imagine the stress and terror in an organization like that. The constant covering up of the smallest blemishes. The wild finger-pointing as everyone tries to shift the blame for the inevitable cock-ups and messes onto someone else. The rapid turnover as people rise high, then fall abruptly from grace. The lying, cheating, falsification of data, and hiding of problems—until they become crises that defy being hidden any longer.
Clinging to the past
If some people fail to reach a complete answer because of the lure of some early success, many more fail because of their ego-driven commitment to what worked in the past. You often see this with senior people, especially those who made their names by introducing some critical change years ago. They shy away from further innovation, afraid that this time they might fail, diminishing the luster they try to keep around their names from past triumph. Besides, they reason, the success of something new might even prove that those achievements they made in the past weren’t so great after all. Why take the risk when you can hang on to your reputation by doing nothing?
Such people are so deeply invested in their egos and the glories of their past that they prefer to set aside opportunities for future glory rather than risk even the possibility of failure.
Why high achievers fail
Every strength can become a weakness. Every talent contains an opposite that sometimes makes it into a handicap. Successful people like to win and achieve high standards. This can make them so terrified of failure it ruins their lives. When a positive trait, like achievement, becomes too strong in someone’s life, it’s on the way to becoming a major handicap.
Achievement is a powerful value for many successful people. They’ve built their lives on it. They achieve at everything they do: school, college, sports, the arts, hobbies, work. Each fresh achievement adds to the power of the value in their lives.
Gradually, failure becomes unthinkable. Maybe they’ve never failed yet in anything that they’ve done, so have no experience of rising above it. Failure becomes the supreme nightmare: a frightful horror they must avoid at any cost. The simplest way to do this is never to take a risk. Stick rigidly to what you know you can do. Protect your butt. Work the longest hours. Double and triple check everything. Be the most conscientious and conservative person in the universe.
And if constant hard work, diligence, brutal working schedules, and harrying subordinates won’t ward off the possibility of failing, use every other possible means to to keep it away. Falsify numbers, hide anything negative, conceal errors, avoid customer feedback, constantly shift the blame for errors onto anyone too weak to fight back. The problems with ethical standards in major US corporations has, I believe, more to do with fear of failure among long-term high achievers than any criminal intent. Many of those guys at Enron and Arthur Andersen were supreme high-fliers, basking in the flattery of the media. Failure was an impossible prospect, worth doing just about anything to avoid.
Why balance is essential
Beware of unbalanced values in your life. Beware when any one value—however benign in itself—becomes too powerful. Over-achievers destroy their own peace of mind and the lives of those who work for them. People too attached to “goodness” and morality become self-righteous bigots. Those whose values for building close relationships become unbalanced slide into smothering their friends and family with constant expressions of affection and demands for love in return.
Everyone likes to succeed. The problem comes when fear of failure is dominant. When you can no longer accept the inevitability of making mistakes, nor recognize the importance of trial and error in finding the best and most creative solution. The more creative you are, the more errors you are going to make. Get used to it. Deciding to avoid the errors will destroy your creativity too.
Balance counts more than you think. Some tartness must season the sweetest dish. A little selfishness is valuable even in the most caring person. And a little failure is essential to preserve everyone’s perspective on success.
We hear a lot about being positive. Maybe we also need to recognize that the negative parts of our lives and experience have just as important a role to play in finding success, in work and in life.
Wednesday, September 26, 2007
Monday, September 10, 2007
Cartoon Laws of Physics
Cartoon Law I
Any body suspended in space will remain in space until made aware of its situation.
Daffy Duck steps off a cliff, expecting further pastureland. He loiters in midair, soliloquizing flippantly, until he chances to look down. At this point, the familiar principle of 32 feet per second per second takes over.
Cartoon Law II
Any body in motion will tend to remain in motion until solid matter intervenes suddenly.
Whether shot from a cannon or in hot pursuit on foot, cartoon characters are so absolute in their momentum that only a telephone pole or an outsize boulder retards their forward motion absolutely. Sir Isaac Newton called this sudden termination of motion the stooge's surcease.
Cartoon Law III
Any body passing through solid matter will leave a perforation conforming to its perimeter.
Also called the silhouette of passage, this phenomenon is the speciality of victims of directed-pressure explosions and of reckless cowards who are so eager to escape that they exit directly through the wall of a house, leaving a cookie-cutout-perfect hole. The threat of skunks or matrimony often catalyzes this reaction.
Cartoon Law IV
The time required for an object to fall twenty stories is greater than or equal to the time it takes for whoever knocked it off the ledge to spiral down twenty flights to attempt to capture it unbroken.
Such an object is inevitably priceless, the attempt to capture it inevitably unsuccessful.
Cartoon Law V
All principles of gravity are negated by fear.
Psychic forces are sufficient in most bodies for a shock to propel them directly away from the earth's surface. A spooky noise or an adversary's signature sound will induce motion upward, usually to the cradle of a chandelier, a treetop, or the crest of a flagpole. The feet of a character who is running or the wheels of a speeding auto need never touch the ground, especially when in flight.
Cartoon Law VI
As speed increases, objects can be in several places at once.
This is particularly true of tooth-and-claw fights, in which a character's head may be glimpsed emerging from the cloud of altercation at several places simultaneously. This effect is common as well among bodies that are spinning or being throttled. A 'wacky' character has the option of self- replication only at manic high speeds and may ricochet off walls to achieve the velocity required.
Cartoon Law VII
Certain bodies can pass through solid walls painted to resemble tunnel entrances; others cannot.
This trompe l'oeil inconsistency has baffled generations, but at least it is known that whoever paints an entrance on a wall's surface to trick an opponent will be unable to pursue him into this theoretical space. The painter is flattened against the wall when he attempts to follow into the painting. This is ultimately a problem of art, not of science.
Cartoon Law VIII
Any violent rearrangement of feline matter is impermanent.
Cartoon cats possess even more deaths than the traditional nine lives might comfortably afford. They can be decimated, spliced, splayed, accordion-pleated, spindled, or disassembled, but they cannot be destroyed. After a few moments of blinking self pity, they reinflate, elongate, snap back, or solidify.
Corollary: A cat will assume the shape of its container.
Cartoon Law IX
Everything falls faster than an anvil.
Cartoon Law X
For every vengea nce there is an equal and opposite revengeance.
This is the one law of animated cartoon motion that also applies to the physical world at large. For that reason, we need the relief of watching it happen to a duck instead.
Cartoon Law Amendment A
A sharp object will always propel a character upward.
When poked (usually in the buttocks) with a sharp object (usually a pin), a character will defy gravity by shooting straight up, with great velocity.
Cartoon Law Amendment B
The laws of object permanence are nullified for "cool" characters.
Characters who are intended to be "cool" can make previously nonexistent objects appear from behind their backs at will. For instance, the Road Runner can materialize signs to express himself without speaking.
Cartoon Law Amendment C
Explosive weapons cannot cause fatal injuries.
They merely turn characters temporarily black and smoky.
Cartoon Law Amendment D
Gravity is transmitted by slow-moving waves of large wavelengths.
Their operation can be wittnessed by observing the behavior of a canine suspended over a large vertical drop. Its feet will begin to fall first, causing its legs to stretch. As the wave reaches its torso, that part will begin to fall, causing the neck to stretch. As the head begins to fall, tension is released and the canine will resume its regular proportions until such time as it strikes the ground.
Cartoon Law Amendment E
Dynamite is spontaneously generated in "C-spaces" (spaces in which cartoon laws hold).
The process is analogous to steady-state theories of the universe which postulated that the tensions involved in maintaining a space would cause the creation of hydrogen from nothing. Dynamite quanta are quite large (stick sized) and unstable (lit). Such quanta are attracted to psychic forces generated by feelings of distress in "cool" characters (see Amendment B, which may be a special case of this law), who are able to use said quanta to their advantage. One may imagine C-spaces where all matter and energy result from primal masses of dynamite exploding. A big bang indeed.
Any body suspended in space will remain in space until made aware of its situation.
Daffy Duck steps off a cliff, expecting further pastureland. He loiters in midair, soliloquizing flippantly, until he chances to look down. At this point, the familiar principle of 32 feet per second per second takes over.
Cartoon Law II
Any body in motion will tend to remain in motion until solid matter intervenes suddenly.
Whether shot from a cannon or in hot pursuit on foot, cartoon characters are so absolute in their momentum that only a telephone pole or an outsize boulder retards their forward motion absolutely. Sir Isaac Newton called this sudden termination of motion the stooge's surcease.
Cartoon Law III
Any body passing through solid matter will leave a perforation conforming to its perimeter.
Also called the silhouette of passage, this phenomenon is the speciality of victims of directed-pressure explosions and of reckless cowards who are so eager to escape that they exit directly through the wall of a house, leaving a cookie-cutout-perfect hole. The threat of skunks or matrimony often catalyzes this reaction.
Cartoon Law IV
The time required for an object to fall twenty stories is greater than or equal to the time it takes for whoever knocked it off the ledge to spiral down twenty flights to attempt to capture it unbroken.
Such an object is inevitably priceless, the attempt to capture it inevitably unsuccessful.
Cartoon Law V
All principles of gravity are negated by fear.
Psychic forces are sufficient in most bodies for a shock to propel them directly away from the earth's surface. A spooky noise or an adversary's signature sound will induce motion upward, usually to the cradle of a chandelier, a treetop, or the crest of a flagpole. The feet of a character who is running or the wheels of a speeding auto need never touch the ground, especially when in flight.
Cartoon Law VI
As speed increases, objects can be in several places at once.
This is particularly true of tooth-and-claw fights, in which a character's head may be glimpsed emerging from the cloud of altercation at several places simultaneously. This effect is common as well among bodies that are spinning or being throttled. A 'wacky' character has the option of self- replication only at manic high speeds and may ricochet off walls to achieve the velocity required.
Cartoon Law VII
Certain bodies can pass through solid walls painted to resemble tunnel entrances; others cannot.
This trompe l'oeil inconsistency has baffled generations, but at least it is known that whoever paints an entrance on a wall's surface to trick an opponent will be unable to pursue him into this theoretical space. The painter is flattened against the wall when he attempts to follow into the painting. This is ultimately a problem of art, not of science.
Cartoon Law VIII
Any violent rearrangement of feline matter is impermanent.
Cartoon cats possess even more deaths than the traditional nine lives might comfortably afford. They can be decimated, spliced, splayed, accordion-pleated, spindled, or disassembled, but they cannot be destroyed. After a few moments of blinking self pity, they reinflate, elongate, snap back, or solidify.
Corollary: A cat will assume the shape of its container.
Cartoon Law IX
Everything falls faster than an anvil.
Cartoon Law X
For every vengea nce there is an equal and opposite revengeance.
This is the one law of animated cartoon motion that also applies to the physical world at large. For that reason, we need the relief of watching it happen to a duck instead.
Cartoon Law Amendment A
A sharp object will always propel a character upward.
When poked (usually in the buttocks) with a sharp object (usually a pin), a character will defy gravity by shooting straight up, with great velocity.
Cartoon Law Amendment B
The laws of object permanence are nullified for "cool" characters.
Characters who are intended to be "cool" can make previously nonexistent objects appear from behind their backs at will. For instance, the Road Runner can materialize signs to express himself without speaking.
Cartoon Law Amendment C
Explosive weapons cannot cause fatal injuries.
They merely turn characters temporarily black and smoky.
Cartoon Law Amendment D
Gravity is transmitted by slow-moving waves of large wavelengths.
Their operation can be wittnessed by observing the behavior of a canine suspended over a large vertical drop. Its feet will begin to fall first, causing its legs to stretch. As the wave reaches its torso, that part will begin to fall, causing the neck to stretch. As the head begins to fall, tension is released and the canine will resume its regular proportions until such time as it strikes the ground.
Cartoon Law Amendment E
Dynamite is spontaneously generated in "C-spaces" (spaces in which cartoon laws hold).
The process is analogous to steady-state theories of the universe which postulated that the tensions involved in maintaining a space would cause the creation of hydrogen from nothing. Dynamite quanta are quite large (stick sized) and unstable (lit). Such quanta are attracted to psychic forces generated by feelings of distress in "cool" characters (see Amendment B, which may be a special case of this law), who are able to use said quanta to their advantage. One may imagine C-spaces where all matter and energy result from primal masses of dynamite exploding. A big bang indeed.
Saturday, September 8, 2007
Thursday, September 6, 2007
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